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Art historian Richard Powell describes Girl in a Red Dress as an exemplary portrayal of the "New Negro" woman who is "defiantly black, beautiful, and feminine, yet also unsettled, mysterious, and utterly modern." Alston, a foundational figure of the Harlem Renaissance, depicts the young woman in a way that embodies the artists synthesis of African aesthetics (in this case resonant with Fang reliquary busts) and modernist pictorial flatness in portrayals of African American subjects

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Meanwhile, styles with higher necks and illusion laces provide ample coverage as they are fairly modest